Amanda Wangwright has published on twentieth-century Chinese art, its transnational patronage networks, conceptualizations of gender and the body, and unfolding canonization. Her book, The Golden Key: Modern Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2020), investigates artists’ public personas and feminist artistic practice, as well as the wartime developments that led to their exclusion from the canon of modern Chinese art.